Kamis, 26 Agustus 2010

[E217.Ebook] Get Free Ebook Father Abraham, by William Faulkner

Get Free Ebook Father Abraham, by William Faulkner

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Father Abraham, by William Faulkner

Father Abraham, by William Faulkner



Father Abraham, by William Faulkner

Get Free Ebook Father Abraham, by William Faulkner

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Father Abraham, by William Faulkner

A sale of fiery wild ponies, which manage to escape their corral after they are sold, introduce Flem Snopes, the man behind the sale, to the town of Frenchman's Bend.

  • Sales Rank: #1892075 in eBooks
  • Published on: 2011-11-09
  • Released on: 2011-11-09
  • Format: Kindle eBook

Most helpful customer reviews

3 of 3 people found the following review helpful.
Writers should read Father Abraham
By SK Figler
Early Faulkner is very different from the later Faulkner, particularly where he perfected his stream-of-consciousness style. But ALL Faulkner is worth reading. "Father Abraham" seems a test-run for some of his ideas about the Snopes family and, as such, is particularly valuable for writers to be able to see big ideas in early phase, to be measured against the finished products.

0 of 0 people found the following review helpful.
Why read this early unpublished work?
By TFN III
Father Abraham, is basically an unpublished first attempt at the famous "Spotted Horses" story and Snopes saga, sort of an ​ur-​Hamlet. It's described in the Introduction as "Not a fragment, not quite a finished work, Father Abraham is the brilliant beginning of a novel which William Faulkner tried repeatedly to write, for a period of almost a decade and a half, during the earlier part of his career..."

Why read Father Abraham? First it's a ripping good yarn and a wonderful compact version of all that we love about Faulkner. The action of the story takes place over a single April day of the horse auction, and is mostly told in dialogue, in the various idioms the participants from laconic hardscrabble to big talkin' Texan. In this, of course Faulker was the master without peer, and the result is a wonderful story that you imagine will be told in county's stores, barber shops, and bars down through the years. But Faulkner was also one of the best in describing the natural world, and here he lards the story, punctuating the action with beautiful descriptions of the progressing arc of the day:

He yawned at the red and hill-nicked rim of the sun. About him the world waked fresh beneath the spring dawn, waked happily chill, as though not fully reassured . . .

the sun heaved up like a captive balloon from beyond the ultimate horizon . . .

Above the bowl of the sky hushed itself into mysterious ineffable azures . . .

Evening was completely accomplished. The sparrows are gone, and the final cloud of swallow had swirled into a chimney somewhere and the ultimate celestial edges of the world rolled on into vague and intricate subtleties of softest pearl...

And yet it was not quite night. The west was green tall and without depth, like a pane of glass; through it a substance that was not light seeped in sourceless diffusion, like the sound of an organ.

Secondly, obvious reason is that as a fan of one of his greatest and (perhaps more importantly) readable novels, it is a chance at a glimpse at Faulkner at the very beginning as his career as a novelist and "Sole Proprietor" of Yoknapatawpha (love that my spellchecker has that) County. Snopes family and the so-called "rise of the redneck" theme that dominated much of is writing in the 40s and 50s was in his thinking as early as 1926, while he was also writing his first Yoknapatawpha novel, Flags in the Dust:

''The Snopes sprang untarnished from a long line of shiftless tenant farmers - a race that is of the land and yet rootless, like mistletoe; owing nothing to the soil, giving nothing to it and getting nothing of it in return; using the land as a harlot instead of an imperious yet abundant mistress, passing on to another farm. Cunning and dull and clannish, they move and halt and move and multiply and marry and multiply like rabbits: magnify them and you have political hangers-on and professional officeholders and Prohibition officers; reduce the perspective and you have mold on cheese.''
The title is ironic, but the explanation comes also from Flags in the Dust:
Flem the first Snopes had appeared unheralded one day and without making a ripple in the town's life, behind the counter of a small restaurant on a side street, patronized by country people. With this foothold and like Abraham of old, he led his family piece by piece into town.

It is also interesting to compare this with the final version of the "Spotted Horses" story that makes its way into The Hamlet. While the story is identical and the dialogue are almost verbatim, there is a big difference in tone. By the time of the The Hamlet, Faulkner has saturated the story with what Cleanth Brooks calls "distancing" elements, language with which he elevates the Snopes story to a mythic level that is absent here beyond the first page and a half. The result is less mythic. more Twain. Also Faulkner end the store before (or hasn't conceived) the successive trial scene that casts Flem in a much darker light than just the Trickster.

Finally, the book itself is beautiful and a joy to read enhanced by lovely complementing woodcuts by John DePol. For this reason I recommend tracking down one of the hardback copies.

[In an intersting footnote, the 26 page manuscript survived for 30 years lost in the archives of the New York Public Library's Arents Collection, which was endowed by cigarette-manufacturing magnate to collect any containing even the most obscure or limited references to tobacco. The manuscript was bought by the library in 1953 because early in the story, there is a sentence that reads: ''He chews tobacco constantly and steadily and slowly, and no one ever saw his eyelids closed.'' That mention alone led to the purchase of the Faulkner short story by the library for $300 in 1953.]

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