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Jumat, 30 September 2011

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This timely book offers an alternative vision for outdoor education practice. A Pedagogy of Place calls into question some of the underlying assumptions and 'truths' about outdoor education, putting forward alternatives to current practice that are responsive to local conditions and cultural traditions. In this renewal of outdoor education philosophy and practice, the emphasis is upon responding to - and empathizing with - the outdoors as particular places rich in local meaning and significance. Current outdoor education theory and practice is influenced by cultural ideas about risk and adventure, and by psychological theories of personal and social development. However, in recent decades, the professional discourse of outdoor education has made a noticeable shift which has resulted in a mismatch between theory and practice: traditional notions of proving oneself 'against' the challenges of the outdoors are antithetical to the development of an empathetic relationship with outdoor places. A Pedagogy of Place is the first of its kind to articulate a renewal of philosophy and practice for outdoor education that is in keeping with the educational needs of today's young people as they grapple with considerable social and ecological changes in a rapidly changing world. The authors draw extensively on international, national, and local literature, and provide compelling case studies drawn from the Australian and New Zealand contexts.

Sales Rank: #1073219 in Books
Brand: Wattchow Brian Brown
Published on: 2011-02-14
Original language: English
Number of items: 1
Dimensions: 9.25" h x 6.00" w x .75" l, 1.15 pounds
Binding: Paperback
244 pages

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A Pedagogy of Place

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Rabu, 21 September 2011

[N241.Ebook] Get Free Ebook Critical and Corpus-Based Approaches to Intercultural RhetoricFrom University of Michigan Press ELT

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This volume uniquely explores critical and corpus-based perspectives on intercultural rhetoric. Many chapters examine what is meant by “culture” and how that affects research and pedagogy, particularly with regard to new forms of literacy. The contents of this book are well situated within a tradition of inquiry that has developed since Kaplan’s famous 1966 article while at the same time exploring new areas of interest with new kinds of research tools like corpus linguistics, which has greatly impacted how intercultural rhetoric is researched.

�

The volume has four parts: Corpus and Critical Perspectives, which features chapters by Ulla Connor and Will Baker; Critical-Analytical Approaches, which features chapters by Xiaoye You, Ramon Escamilla, and Guillaume Gentil; Corpus-Based Approaches, which features chapters by Eric Friginal, Amanda Lanier Temples and Gayle Nelson, and Viviana Cortes and Jack A. Hardy; �and Next Steps, which features a chapter by Suresh Canagarajah and the sequel to the conversation between Dwight Atkinson and Paul Kei Matsuda that was begun in 2008.

�

In his Afterword, Joel Bloch has called this volume “a testament to the endurance of intercultural rhetoric.”

Sales Rank: #3152522 in Books
Published on: 2013-02-14
Original language: English
Number of items: 1
Dimensions: 9.00" h x .70" w x 6.00" l, .90 pounds
Binding: Paperback
264 pages

About the Author
Belcher is director of the ESL Composition Program at Ohio State University.

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Senin, 12 September 2011

[W228.Ebook] Free PDF A More Perfect Ten: Writing and Producing the Ten-Minute Play, by Gary Garrison

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Replete with advice and tips on creating the successful 10-minute play, and cautions for avoiding the pitfalls, this new edition also includes addresses for the biggest and most important 10-minute festival opportunities, new sample 10-minute plays and questions for thought and discussion, and sample layout templates for laying out the play for submission. The savvy playwright at any level of skill can use this little book to great advantage. Plus Gary Garrison is warm, funny, irreverent, and essential.

Sales Rank: #382796 in eBooks
Published on: 2012-04-20
Released on: 2012-04-20
Format: Kindle eBook

Review

"Gary Garrison’s plays are simply the best short plays around. We beg him every year to put something in our Boston Theater Marathon, and every year he outdoes himself with plays that speak to our foibles, our complexities, and always, always our humanity. It's no wonder he has written a how-to book about it-he's the master!"
— Kate Snodgrass, Artistic Director, Boston Theater Marathon/Boston Playwrights' Theatre

"It is not often that you can find an expert who is able to share their knowledge and guide others as openly and tirelessly as Gary Garrison does during the Southeastern Theatre Conference's annual convention. As the respondent for the Annual Ten-Minute Play Festival, he not only teaches through the production critiques, he can often be found working with a production group long after the formal theatre response. Bravo Gary Garrison!"
— Betsey Baun, Executive Director, Southeastern Theatre Conference

From the Back Cover

A More Perfect Ten is a revision of Gary Garrison's pioneering book on writing and producing the 10-minute play, and it is now the most authoritative book on this emerging play form. The 10-minute play has become a regular feature of theatre companies and festivals from coast to coast, and Garrison has distilled the advice of many of those people who had been instrumental in promoting the 10-minute play for the last few years. Replete with advice and tips on creating the successful 10-minute play, and cautions for avoiding the pitfalls, this new edition also includes addresses for the biggest and most important 10-minute festival opportunities, new sample 10-minute plays and questions for thought and discussion, and sample templates for laying out the play for submission. The savvy playwright at any level of skill can use this little book to great advantage. Plus Gary Garrison is warm, funny, irreverent, and essential.

Gary Garrison’s plays are simply the best short plays around.� We beg him every year to put something in our Boston Theater Marathon, and every year he outdoes himself with plays that speak to our foibles, our complexities, and always, always to our humanity.� It’s no wonder he has written a how-to book about it—he’s the master!
—Kate Snodgrass, Artistic Director, Boston Theater Marathon/Boston Playwrights’ Theatre

Gary Garrison is a playwright and author, as well as the Executive Director for Creative Affairs of the Dramatists Guild of America and the Artistic Director and Division Head of Playwriting for the Goldberg Department of Dramatic Writing at the Tisch School of Arts. He is also the former National Chair of Playwrighting for the Kennedy Center’s American College Theater Festival, as well as the Artistic Director for the First Look Theatre Company and the recently formed Playwrights PlayGround.

About the Author
Gary Garrison is a playwright and author, as well as the Executive Director for Creative Affairs of the Dramatists Guild of America and the Artistic Director and Division Head of Playwriting for the Goldberg Department of Dramatic Writing at the Tisch School of Arts. He is also the former National Chair of Playwrighting for the Kennedy Center’s American College Theater Festival, as well as the Artistic Director for the First Look Theatre Company and the recently formed Playwrights PlayGround.

Most helpful customer reviews

5 of 5 people found the following review helpful.
A "must read" for learning to be playwright's
By Bert Axel
"A More Perfect Ten" is as compelling a read as the10 minute play itself should be. Reading this book gives me the sense that this writer knows his subject backward and forward and is willing to share his knowledge so we might also know what we're doing when play writing. I like this book because it is concise, filled with the craft of writing, and can be read with interest. My only reservation is what seemed to be a similarity of many of the example plays. None the less, they are plays written by known playwrights. I'm adding this book to my play writing library and expect to refer back to it often, especially when I begin my next short play. I'd recommend this book as one of the few that focus on the writing and production of the 10 minute play.

2 of 2 people found the following review helpful.
It Is Not a Perfect Ten
By Hannah Mae
I found the book to be fair. It was slanted to telling the writers where to send their manuscripts, and had tips on how to be a more effective script writer. It could have spent more time analyzing the samples of ten minute plays, including the author's example.I wonder if one couldn't get most of the information on-line, instead of buying this book.

2 of 2 people found the following review helpful.
To the point.
By Joshua Dill
Gary does a nice job of organizing lots of information into simple, easy to follow rules. The interviews with professional producers are enlightening, and the inclusion of example plays was a nice touch.

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Rabu, 07 September 2011

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Every Christian must pass the test of absolute betrayal at least once in their Christian walk if they want to go higher. No test hurts more or pulls more strongly on your emotions than when someone you love completely turns against you. Do you know how to pass the test? Through a revelation received from the Lord, Jerry and Glynda share the good news about why betrayal visits Christians, and how to pass the test once and for all. Don't let betrayal catch you by surprise. Be ready to pass the test!

Sales Rank: #501711 in eBooks
Published on: 2015-09-26
Released on: 2015-09-26
Format: Kindle eBook

About the Author
Amazon best selling authors Glynda and Jerry Linkous are Christian authors, bloggers, and YouTubers (texasauthor1) who strive to inspire others to a closer walk with Christ. They are the hosts of Wings Radio, a Christian radio show on Spreaker Radio and Blog Talk Radio, discussing the prophetic, and how to grow in the Christian life. They are the authors of the Companion Series, the Breaking the Curse Series, and other Christian books available on Amazon. Their prophetic word blog at www.wingsofprophecy.com spiritually feeds thousands around the world. They have committed to spending their lives spreading the gospel of Jesus Christ. They reside in Princeton, Texas where they are working on their next book.

Most helpful customer reviews

1 of 1 people found the following review helpful.
EXCEPTIONAL & EXEMPLARY
By David L. Pett
AN EXCEPTIONAL book every Christian should have in their library. Glynda speaks from her experiences of years in the wilderness. Her
spiritual anointing, spiritual knowledge & insight is exemplary. The text flows smoothly & contains scripture backing with personal individual
stories of how to take a different view, not allow yourself to become caught in the trap of offenses & betrayals. It is all a series of tests to
refine & cleanse you for a happy, fulfilled life in faith & trust of the Lord Jesus Christ. I am purchasing more copies to share with the many who
will deeply benefit from applying it in various situations. We all face challenges & trials. The insights in this book will will make the path much
easier. Be blessed & enjoy a top read!
Gerri Pett

0 of 0 people found the following review helpful.
Four Stars
By Barbara Miller
Have not gotten to reading it yet. Busy summer. It looks interesting.

0 of 0 people found the following review helpful.
Five Stars
By Jessica Garza
All scripture and definitely helped me understand things in a different view to get through difficult things

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Selasa, 16 Agustus 2011

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Magyar Origins offers a reasonable hypothesis that Hungarian and its related languages of Finnish and Estonian are related to Sanskrit....A finely researched blend of genealogy and language studies, Magyar Origins presents a strong and well-reasoned case.
--Midwest Book Review

What if everything you thought you knew about Hungarians and the Finns was wrong?

For almost two centuries linguists have promoted the idea that a group of languages called Finno-Ugrian share a common origin in the south Urals or western Siberia. These people evolved their language in isolation of other languages and today among their descendents are the Finns and Hungarians. Linguists claim these primitive people owed all aspects of their culture, and much of their language, to the Slavs who they encountered later.

But recent scientific discoveries draw into question everything linguists have been saying on this topic. Geneticists now agree that Hungarians are not related to the other Finno-Ugrian speakers; but rather, Hungarians originated in Central Asia. And instead of living in isolation, archaeologists now argue that the Indo-Iranian homeland was within the Finno-Ugrian zone!

In fact some of these archaeological sites are so similar archaeologists have trouble distinguishing if they are Indo-Iranian or Finno-Ugrian. While linguistics promotes the idea that Finno-Ugrians had a primitive religion with Shamans, archaeologists universally agree that the Finno-Ugrians were sharing religious ideas with the Indo-Aryans and were worshiping Indo-Aryan gods.

A complete re-write from previous editions, this book explores the possibility that the Finno-Ugrian languages are actually a form of adopted Indo-Aryan, commonly known as Sanskrit; adopted as the Indo-Aryans expanded mining and agriculture into the Finno-Ugrian zone.

Sales Rank: #858006 in Books
Published on: 2015-01-21
Original language: English
Number of items: 1
Dimensions: 9.00" h x .97" w x 6.00" l, 1.26 pounds
Binding: Paperback
430 pages

About the Author
Frank Sandor is the youngest of four children born in Canada to Hungarian immigrants. His parents fled Hungary during the 1956 uprising after his father escaped from a Russian POW camp. Frank now lives in Maple Ridge with his wife and son. Frank has always been interested in anthropology, spending many summers in Utah studying its numerous archaeological remains. In his forties Frank combined his love of anthropology with the investigative skills he developed as a peace officer and the analytical skills developed from years of analyzing computer systems, and turned his attention towards the question of Hungarian origins.

Frank Sandor has an Associate Degree in Criminology from Douglas College, as well as having attended both the British Columbia Institute of Technology and Simon Fraser University. Frank is a former member of the American Anthropological Association. Frank's hobbies include traditional archery, bow hunting and robotics.

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0 of 0 people found the following review helpful.
Five Stars
By ursula freire
Excelent

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Rabu, 10 Agustus 2011

[Z536.Ebook] Free Ebook The School Mouse, by Dick King-Smith

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The School Mouse, by Dick King-Smith

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EVERYONE HAS HEARD OF HOUSE MICE AND FIELD MICE AND CHURCH MICE, BUT FLORA IS THE FIRST-EVER SCHOOL MOUSE. BEING THE FIRST ANYTHING IS HARD AND BEING THE FIRST SCHOOL MOUSE IS NO EXCEPTION. WHEN FLORA LEARNS TO READ, NOBODY-NOT EVEN HER PARENTS-CAN SEE MUCH USE IN IT. SHE MUST CONVINCE THEM THAT READING IS TREMENDOUSLY IMPORTANT-ESPECIALLY AFTER SHE FINDS A BAG MARKED POISON!

Sales Rank: #2262455 in Books
Published on: 1997
Number of items: 1
Binding: Paperback
124 pages

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7 of 7 people found the following review helpful.
Don't Miss The School Mouse!
By A Customer
The School Mouse by Dick-King Smith
Have you have seen a mouse read? This book is about a mouse named Flora that lives in a school. Once Flora watches a little kid read in Kindergarten, Flora is really curious about reading. But her family sees no use in it. Flora tells them it is very important, especially when Flora finds a bag marked Poison!
I loved this book because it was so fun to see how a mouse can read in Kindergarten and 1st grade. I also like this book because it had such good words that I could imagine the pictures.
I think the author wants to show that reading is very important. Also I think the author wants to show that even if you are a mouse, learning is important.

12 of 12 people found the following review helpful.
It Will Knock Your Socks Off!!
By A Customer
The School Mouse is about a young mouse, Flora, who is born in a kindergarden room in a school. She was so eager to learn things that she studied the books that were left open on the children's desk! Flora's parents said that her education was good for nothing! When the janitors put pellets out to kill the mice, Flora was the only one who could read the package which said Poison! She saved her parents and her little sister but the rest of her family and all of the other mice families had already eaten the pellets. Flora could not save them. After that, Flora's parents were happy that Flora was able to read but they decided to move out of the school because there were no other mice left to live with. Flora wanted to continue to learn so she stayed on at the school. Then one night, Flora thought she saw her brother Willam's ghost. To find out what happens and if the figure that Flora sees is really the ghost of her brother, William, read the book!

7 of 7 people found the following review helpful.
You'll laugh so hard you'll fall out of your seat!
By A Customer
The book was funny and very interesting. There were a lot of funny parts; like the mice thought letters were things like: B was a bee, C was the word "see", Hyacinth even gave her mousekins funny names like Laburnum, Larkspur and Lavender. Our favortie character was Buck because he was handsome and very interesting. One of the funniest characters we read about was Robin because he made one too many mistakes and he isn't too bright either. We really liked the book and if you want to know more just read "The School Mouse".

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[U904.Ebook] Download Ebook Atlas, by Jorge Luis Borges

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Book by Jorge Luis Borges

Sales Rank: #1256669 in Books
Brand: Brand: E. P. Dutton
Published on: 1985-11-07
Original language: English
Number of items: 1
Dimensions: 20.00" h x 20.00" w x 20.00" l,
Binding: Hardcover
95 pages

Features

Used Book in Good Condition

Language Notes
Text: English, Spanish (translation)

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4 of 4 people found the following review helpful.
Felicity
By Natalia O. Novikova
Borges small big book is to be read at 3: 30 pm, while the baby is asleep,the sun is out and the wind dies slowly. JLB describes the book as a "prudently chaotic" one. It is. It is an atlas in name only, maybe, appropriately, an atlas of the dream. The pictures are black and white and show a thin Borges with a ravishing Maria Kodoma. "Each section embodies a union of words and images".Example, page 59, Hotel Esja, Reykjavik. The words , from hotel to reykjavik, float below the top of the page, four inches below that is the text, here is a summary, beginning with a word for word first sentence:The most modest things in life are often a kind of boon. Blind, he feels a column in the hotel, knows it white, an archetype.The next page "The Labyrinth", with three small photos of the labyrinth of Crete,below the words, "This is the labyrinth of Crete. This is the labyrinth of Crete whose center was the Minotaur. This is the labyrinth of Crete whose center was the Minotaur that Dante imagined as a bull with a mans head in whose stone net so many generations were lost...".And, opposite the text, taking up a whole page is a tired Borges, cane , agape mouth, white hair floating, hay hair, eyes blitzed, unseeing but seeing, an ancient sage in the labyrinth whose center is Borges whose verbal net ensnares us all.
Felicity. The word is said often. Every page is Borges, distilled, which is to say wisdom purified. Did he know everything? Yes, everything he knew, he knew and he knew it superbly, aptly. Borges speaks in maxims, one gets the sense that simply being next to him was, for lack of a better word, intense. His face is almost always turned up, screwed into space, becoming whatever he gazes at.

2 of 2 people found the following review helpful.
This is a collection of short reminiscences and observations about ...
By R. Lindner
This is a collection of short reminiscences and observations about life and places by the blind poet and prophet of Argentina. Anyone who has been struck by his profound insights and metaphors will savor these short passages. It's not an inexpensive book, but it's one for the ages.

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